"Voices from Chinese Rock, Past and Present Tense: Social Commentary and Construction of Identity in Yaogun Yinyue from Tiananmen to the Present," Popular Music and Society, vol.“She Sang as She Spoke: Billie Holiday and Aspects of Speech Intonation and Diction”, (co-author Rachel V.4 (UCLA American Indian Studies Center), 1998 "The 1992 Turtle Dance (Oekuu Shadeh) of San Juan Pueblo: Lessons with the Composer, Peter Garcia", American Indian Culture and Research Journal, Vol.at San Juan Pueblo", College Music Symposium, Vol. "Rattling the Gourd at Ohkay Owingeh: Music Lessons with Peter Garcia Sr.Book chapter, "The Oekuu Shadeh of Ohkay Owingeh" in Voices from Four Directions, Brian Swann, ed.Internet Web Page feature, PEP Distinguished Artist/Educator Interview, October 1995.Featured in article, "On Practicing", The Washington Post, March 19, 1996.УМЦ УПИ with Ural State Pedagogical University, Ekaterinburg, Russia, 2014 “Teaching Piano in China: Building Transcultural and Transhistorical Bridges through Music Education” (co-author Tatiana Thibodeaux), International Research in Higher Education, Vol.Commentary, “Building Bridges: How American Colleges Should Approach China” (co-author Dru Gladney), The Chronicle of Higher Education, 2011.Huang was an American Council on Education Fellow, recipient of the ACE Council of Fellows Fund for the Future grant and the Fidelity Investments Leadership Development institutional grant. Other honors include selection as an NEH Scholar for the last international National Endowment for the Humanities Summer Seminar, "Arts, Architecture and Devotional Interaction in England, 1200-1600", York UK a National Endowment for the Humanities Teaching Development Fellowship "Bridging Cultures" a Mellon Foundation Inter-Institutional Travel Grant to Xinjiang and Inner Mongolia, PRC (Vassar, Middlebury, Denison and Scripps Colleges) and a James Irvine Foundation Diversity in the Curriculum Development Grant. He was selected to be on the 2012-2107 Fulbright Specialist roster, a program that serves over 140 countries worldwide. In 2008, Huang served as a Fulbright Scholar in Music and American Studies at Eötvös Lorand University in Budapest, Hungary. He has received grants from the National Endowment for the Arts, National Endowment for the Humanities, the New York and Colorado Councils of the Arts and the California Meet the Composer Series. Winner of the USIA David Bruce Smith National Competition, the Overman Foundation Competition first prize, the Van Cliburn Piano Award at Interlochen Center for the Arts and other awards, Huang was chosen to be featured as the China Institute in America's New York Solo Debut Artist at Weill Recital Hall in Carnegie Hall. Huang was interviewed on NPR's Morning Edition about "The 'Lost' Opera of James P. His 30+ scholarly articles have been published in refereed journals in Hungary, Russia, UK, Greece, Japan, the PRC and the USA. Huang's article, "The Parable of the Grasshoppers"was honored as American Music Teacher's 1995 Article of the Year by the Music Teachers National Association. He has appeared in broadcasts on television and radio in concert and interviews in the USA and abroad and was featured in an Artist/Educator interview on The Piano Education Page. Huang continues to be active internationally as a recitalist, concerto soloist and chamber musician with the Mei Duo and the Gold Coast Trio. As a four-time United States Information Agency Artistic Ambassador, he was a featured performer at the George Enescu Festival and the Barcelona Cultural Olympiad. Professional careerĬurrently the Bessie and Cecil Frankel Endowed Chair in Music at Scripps College, Hao Huang has performed in 28 countries across the globe. Huang finished his academic studies as a Graduate Council Fellow at the Stony Brook University, earning a Doctor of Musical Arts in piano performance degree under the guidance of Charles Rosen and Gilbert Kalish. Upon returning to the States, he studied with Beveridge Webster at the Juilliard School on a piano scholarship, earning an M.M. Graduating with an AB cum laude in music, Huang was selected by audition for the national Frank Huntington Beebe Award for European Study. Awarded the Leonard Bernstein Scholarship at Harvard College, Harvard University, he was referred to study with Leon Fleisher. Beginning at age six with piano lessons from his mother Yi-Yin Huang and later Nellie Douglas, Hao Huang joined the studio of distinguished concert pianist, pedagogue, and composer Seymour Bernstein in New York City at age 10.
0 Comments
Leave a Reply. |